Sometimes it’s not lack of time that prevents me from coming here.
Sometimes it’s just a loss for words.
One thing I was sure of, at the fag end of 2017, was that my life would remain within the set lines of the coloring book I had imagined it to be. I would be able to color within the lines with whatever color I want, and the color would never stray out to the unknown edges of the page.
I was wrong.
The eight months of 2018 have left me dizzy and out of breath. Sometimes with food and sometimes without. In fact, I came very close to saying goodbye to this space. My little haven for a life living in gluttony. A space where I have felt safe to share all the good and the bad that comes with being a displaced Bengali girl. You’ve heard me through the hum of good food and the through the disappointment of the burnt and ruined bits. So I can’t say goodbye. On the contrary, I have a distinct feeling that I might be spending more time with you in the near future.
With reference to the photograph above, you should know that I was initially here to talk about hot dogs. Not your everyday grab-on-the-go-dogs-in-soggy-bread kind. But super special ones that we made for Christmas last year. Yes, that’s how long I’ve been holding on to that recipe. You’ll have to wait for the next post for the entire story on that. But first, here are the new, newer and newest:
The first new thing that happened this year, wasn’t technically a twist of Fate, but Fate in her happy, merry way pretending to work hard. I published a book.
Yep, you read that right. My stint as a commissioned editor a couple of years ago, led me to work with a most interesting group of young writers who were looking for help to self-publish their books. And 2017 was spent editing numerous manuscripts, designing book covers, working closely with PR professionals on the nuances of book selling, and realizing the immense amount of talented writers that exist out there. What resulted was a comprehensive resource box of advice that I compiled into a book and published it in May this year. I’m more than happy to report that it’s doing rather well.
Did I ever think I’d be working…maybe I should say semi-working…in the publishing industry? No. But here we are. Besides that, I’m now on the mission to publish my fiction pieces in as many literary journals as possible, while I work on The Book. Remember, The Book? Yes? No? Oh, who knows.
Next came art. Another industry I didn’t ever think I’d have a foot in. But I find myself now standing knee-deep — both knees — in it. Out of having nothing to do but work and a serious bout of bad mental health, I turned to art. I do that though. I turn to food, art, design, literature, till I turn mad with all of them dancing off my head.
Last year, I plowed through a 100-day art challenge and sold off half of them, the proceeds from which went to relief for Syria. It wasn’t pretty, the challenge. For someone who hates seeing things through, or more accurately is totally lazy, committing to a 100-day challenge was something to write home about.
But this year art took center stage and I have a sneaky suspicion that it will be standing squarely in the center for a long time. February this year, I started taking commissions from people (I’m going to be fancy and call them “clients” or “friends” and “family”) who had followed my work through the 100-day Art for Syria Challenge.
After a quick holiday to Thailand, Bali and Singapore (that included a barrage of chicken rice, seafood barbecue, pork hotpots, babi guling and plates and plates of nasi goreng), one thing led to another, a dead Instagram account led to a busy one, commissions led to a group exhibition (!!!!!). A group exhibition led to another. And now I’ve popped off my work to International galleries and art curators for upcoming shows.
That escalated quickly. Yikes. For sure.
It was almost like walking through a surreal, time-stunted painting, earlier this month when I put up a small collection of paintings at a group show in The Birla Academy of Art & Culture — an institution I’ve had immense respect for since I was a wee kid, walking by it on my way to school. There were people who visited and then proceeded to stand and stare at my work. They even talked about it and some of them wrote about it in newspapers and pointed cameras at it and broadcasted the coverage on the telly.
Unreal. Unreal. Unreal. I kid you not, all I did was float through it, numb with the idea that my work was actually being noticed.
The coming months hold a lot of promise.
I jest. It holds fear.
For you Londoners out there, I’m on the list for ArtRooms London that’s in January, 2019. There are a couple of group shows that I’m also going to be a part of, the dates and names of which will be released later. I’m currently collaborating with a UK-based art consultant (I’m shamelessly going to boast about how they’re one of the biggest ones in the industry) in an effort to make abstract artwork by new artists more accessible to new collectors across the UK. I might just dry and shrivel up into a bean of a human with all the work. One of my followers on Instagram suggested that I should start vlogging (yeah right! I laughed out loud at that one) about my art and process and all that fancy shit on Youtube.
Can you imagine a socially anxious, untalented hack trundling through the art world and recording it at the same time for all the planet to see? No?
Neither can I.
But wouldn’t it be something if I meet you at my next show?
Well, now that I’ve rattled off every boring thing that I’ve been up to for the last year, I’m going to ask you to hold on. There’s more news. The newest of them all, actually. And this is the one that scares me most, right out of my stinky evening-walk shoes. But I’m about to dole out the band-aid rip off treatment on this one because there’s no other way of saying this:
I’m getting married.
You heard that right.
And that’s all the news for tonight folks. Let’s talk about hot dogs in the next post!
The Subjectivist 